MOOFISH PRODUCTIONS Southwest National Parks
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Light beam through Antelope Canyon slot canyon walls
DESERT LIGHT, CARVED STONE

A hundred million
years of weather.

Fine art prints from Zion, Bryce, Antelope Canyon and Monument Valley — large-format landscape photography for a wall that needs scale.

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Four parks, one geology — sandstone carved by wind and water into slot canyons, hoodoos and mesas, shot at the hours when the rock itself seems to glow.

Featured Prints

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Antelope Canyon warm sandstone curves
Lower Antelope I
Antelope Canyon, AZ · from $85
Warm sandstone curves lit from above, the canyon walls glowing amber and rose — classic Antelope Canyon color, printed large.
Zion Canyon narrow slot wall in black and white
The Narrows, B&W
Zion National Park, UT · from $75
Zion's slot canyon stripped to light and stone, shot in black and white to let the texture of the rock carry the image.
Antelope Canyon vertical light shaft
Lower Antelope II
Antelope Canyon, AZ · from $85
A second pass through Antelope Canyon, a tighter vertical crop following a single shaft of light down the canyon wall.
Bryce Canyon hoodoos dusted with snow
Hoodoos in Winter
Bryce Canyon, UT · from $85
Bryce's spires framed through snow-dusted pines — a rare dusting of white against the park's signature orange rock.
Monument Valley panoramic with the Mittens
The Mittens, Panoramic
Monument Valley, UT/AZ · from $95
Monument Valley's twin buttes shot wide — the kind of scale that only a large-format print does justice to.
Antelope Canyon light beam, vertical crop
Shaft of Light
Antelope Canyon, AZ · from $85
A vertical crop of Antelope Canyon's famous beam, the exact moment the light finds the canyon floor.
Zion Canyon sheer wall with streaks of light and water staining
Weeping Wall
Zion National Park, UT · from $85
A Zion canyon wall streaked with water staining and light — a quieter, more graphic companion to the park's famous views.
Wide panoramic view of Bryce Canyon amphitheater with snow
The Amphitheater
Bryce Canyon, UT · from $95
A wide view into Bryce's main amphitheater, hoodoos stacked into the distance under a dusting of snow.
OUR STORY

I grew up in New Zealand, a small country that somehow produced a very big sense of how much world there is to see.

I started chasing that early — my first camera was an Instamatic 110, and the first photograph I ever took that anyone noticed won a children's photography competition. I don't think I understood yet what I'd found, only that looking closely at something ordinary and finding the picture inside it felt like its own kind of magic. That habit never left — in the years since, I've been fortunate to carry a camera through a good share of this planet, always looking for the frame hiding in plain sight.

By day I lead customer experience teams, work that's really about seeing a familiar situation from an angle nobody else noticed. Photography taught me that skill long before my career did. Moofish Productions is where that eye lives outside of work.

Southwest National Parks
A landscape series by Moofish Productions. Large-format prints available up to 36" on the long edge.
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